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The Vocal Athlete
Ebook Download The Vocal Athlete
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Review
With the publication of The Vocal Athlete, singers and voice teachers now have access to a remarkable, unprecedented collection of resources. The breadth and comprehensiveness of this two-volume set are remarkable... The phenomenon of the hybrid singer has led to the proliferation of a hybrid teacher ... Early responses suggest that this kind of teacher will find The Vocal Athlete to be an incredibly valuable resource, a compendium of some of the best and most current thinking in the field, complemented by a thoughtful review of the scientific literature. ... [The companion] workbook and CD provide both teachers and students with the opportunity to explore some of the best practices of the world s top pedagogues... --Charlie Gilbert, The SAVI Singing Actor (9/8/2014)In writing The Vocal Athlete, LeBorgne and Rosenberg had no small task before them. Even today, much of the information on singing commercial music is scattered among various sources (some of which are pedagogically dubious). Much of the information available has been passed down from teachers in the guise of this always worked for me which, though often successful, can be difficult to corroborate. Although academic journals continue to publish studies designed to help define and identify the elements of successful and sustainable CCM singing, many voice teachers feel ill equipped to tackle the more dense concepts of voice science. In this regard, The Vocal Athlete is an important and necessary resource to further bridge the gap between the lab and the studio, translating academic knowledge into useful information through effective and codified tools. As voice scientists and speech-language pathologists, LeBorgne and Rosenberg provide data, techniques, and context that are well referenced and thoroughly researched. As singers and voice teachers, they write in a way that facilitates understanding and highlights practical implications for the voice studio. --Brian Manternach, D.Mus, in Classical Singer, December 2016There s no stone unturned in The Vocal Athlete. In fact, the information is so thoroughly presented it probably deserves a second or third read. This text emphasizes the importance of body work and mindful practice in addition to correct technique, which is a large step in the right direction. You need strength and hunger in equal measure to get through this book, but you will feel more accomplished as a result. --Freya Astrella, M.Mus in Voice Council Magazine, October 23, 2016
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About the Author
Dr. LeBorgne is the voice pathologist, singing voice specialist, and director of the Blaine Block Institute for Voice Analysis and Rehabilitation (Dayton, OH), and The Professional Voice Center of Greater Cincinnati (Cincinnati, OH). Additionally, she holds adjunct professor positions at Cincinnati College-Conservatory of Music as a Voice Consultant and in the College of Allied Health. Dr. LeBorgne holds a B.F.A. in Musical Theater from Shenandoah Conservatory and both her masters and doctoral degrees from the University of Cincinnati in Communication Sciences and Disorders with a specialty in voice disorders. Her research has focused primarily on the area of the professional singing voice (specifically the Broadway Belt Voice).Marci Daniels Rosenberg, MS CCC, is a singer, and a speech language pathologist/research investigator in The University of Michigan Departments of Speech Language Pathology and Otolaryngology. After completing degrees, in classical voice performance from Peabody Conservatory of Music and then in speech language pathology at Towson State University, she completed a research fellowship in the Voice and Speech Lab at the National Institute on Deafness and Other Communication Disorders (NIDCD) in 1996. There she received the Voice and Speech Faculty Award for Research Excellence, NIDCD. She then completed her Master s degree in speech pathology at Bowling Green State University. As a Voice and Singing Specialist, and lead speech pathologist at The University of Michigan Vocal Health Center, Ms. Rosenberg works clinically to rehabilitate injured voices. She has particular clinical interest in contemporary commercial vocal styles. Her research focuses on vocal health for the performance voice. Some of her presentations include workshops and posters at The Voice Foundation in Philadelphia in addition to numerous lectures, workshops and master classes at regional colleges and universities.
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Product details
Paperback: 300 pages
Publisher: Plural Publishing, Inc.; 1 edition (June 2, 2014)
Language: English
ISBN-10: 1597564583
ISBN-13: 978-1597564588
Product Dimensions:
7 x 0.8 x 9.8 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#176,612 in Books (See Top 100 in Books)
A great resource for all people who work with vocalists.
This is an excellent book for people who are deeply interested in this subject. I recommend it.
Wonderful book for contemporary commercial singers.
absolutely useful. one of the best vocal pedagogy books I have worked with. Very well written, easy to follow, quite clear explanations about every exercise. I recommend buy it with the workbook. Both are the perfect dupla.
Very technical... not quite what I imagined but it will be useful to dip into when required. Not going to be light reading ;-)
Love it. Very easy to read
I will be using this book for my Vocal Pedagogy class in the Spring. For many years I have been looking for a book that was the right combination of Vocal Science and classical pedagogy, yet at the same time was an accessible read for the college classroom. This is the book; indeed, I have the feeling that this will become the go-to Vocal Pedagogy textbook for many years to come. The book is one of the first to address the unique challenges of the modern Contemporary Commercial Music field, but there is also an extensive chapter on the history of classical Vocal Pedagogy. This book has it all; and don't forget to buy the workbook, as well, which is full of very useful exercises for the modern voice studio, indispensable for your students as they begin to teach.
This book is a remarkable resource for any singer or voice teacher interested in learning more about the many important facets of the voice. It includes information on historical pedagogy all the way through to trends and physiological facts for the contemporary singer. This book covers it all and is an incredible resource. It is a great addition to any vocal pedagogy class at the collegiate level but also accessible for the avocational singer. I will be using it as additional reading for both my graduate and undergraduate voice pedagogy class. It should be required reading for any teacher of singing OR singer who wants to learn more about the mechanics of the voice. There is also a wealth of information about vocal health and vocal hygiene. Incredibly readable and a great resource.
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